By
Savitha Hira
The 9-million-square-foot Marina Bay
Sands is a beautiful blend of geometry and mathematics- an integration of
order and complexity… a flying visit…
It takes years of planning,
executing and finishing gargantuan structures that become beacons of
socio-cultural progress and hi-profile entertainment venues for public at
large.
Moshe Safdie’s uber-luxury
integrated resort and urban district that anchors the Singapore waterfront
creating a gateway to the city, is a four-year industrious engineering marvel. With
a cantilever approximately 65 meters beyond – the worlds largest ever – the Sky
Park is one of the
most remarkable architectural, landscape and engineering feats. The other one being the
Art Science Museum with its 21 naturally lighted galleries.
Photography: Marina Bay Sands Digital Media |
Photography: John Horner |
Renowned American
landscape architect Peter Walker (PWP) propagates landscaping for the Sky Park - a 2.5
- 3 acre tropical oasis, celebrating the notion of the Garden City that has been
the underpinning of Singapore’s urban design strategy. This
surprising garden in the sky with 250
trees and 650 plants features an infinity edge swimming pool, lushly
planted garden rooms featuring mature trees, a public viewing deck with 270
degree views, two restaurants, and a night club.
Photography: Frank Pinckers |
Photography: Timothy Hursley |
Accomplishing a landscape that complements the
scale of the architecture, PWP conceived of an early tree-procurement strategy
as well as a temporary-nursery plan that permitted plants to be sourced
overseas from many locales, transported into Singapore, and grown near the site
for over a year prior to installation. This strategy also facilitated a quick
installation of the large quantities of mature trees with a high success
rate.
Photograph: Courtesy PWPLA |
Photograph: Courtesy PWPLA |
Art
Science Museum: Based upon Moshe Safdie’s philosophy that art and science
together can excite and inform visitors in a new way, the Museum is composed of
two principle parts – the base, embedded in the earth and surrounded by the
Bay’s water and a giant lily pond, and a flower-like structure made of 10
petals, generated by the geometry of spheroids of varying radii that seemingly floats
above the landscaped pond base. The petals rise towards the sky in varying
heights, each crowned by a skylight, drawing in daylight, penetrating the base
and illuminating the galleries within.
Photography: Timothy Hursley |
Photography: Timothy Hursley |
With an envelope composed of double-curved Fiber
Reinforced Polymer [FRP], the asymmetrical museum structure, conceived by Arup,
reaches upward to a height of 60 meters and is supported by an elaborate steel
lattice structure - an assembly supported by ten columns and tied down at its
center by a basket-like diagrid–a sculptural centerpiece that accommodates the
asymmetrical forces that the building’s form generates. The result in an efficient
resolution of the structural forces for the building, giving it a seemingly
weightless quality as it hovers above the ground. The vertical sides of each petal
are sheathed in bead-blasted stainless steel panels. The unprecedented use of
FRP has made possible the joint-less, continuous skin for each of the sail-like
surfaces achieving a sense of lightness with their gleaming petals. The
dish-like roof form collects rainwater and drains it through an oculus,
creating a waterfall through the center of the museum that feeds an interior
pond. Entered through a free-standing glass pavilion, the museum has three
levels of galleries with a total area of 6,000 square meters.
Artist's Impression |
With Marina Bay Sands - a microcosm of a city
rooted in Singapore’s culture, climate, and contemporary life, Ar. Moshe Safdie
weaves together the components of a complex program into a dynamic urban
crossroads and public meeting place.
My money is on Marina Bay and some structures from the Emirates.
ReplyDeletePosted by Trend Buyers on Linkedin Group: Luxury architecture in response to IAnD's discussion thread:How many of today’s architectural marvels are going to translate as heritage structures of tomorrow?