By Teresa
Simon
Photography:
Nigel Young; Hufton & Crow; Courtesy: Foster+Partners
Foster & Partners incorporate ambitious
environmental strategy in a new sculptural addition to the city of London…
Wrapped in a grid of highly reflective
cast-aluminium brise
soleil, shimmering in the bright sunshine, casting intriguing chiaroscuro
effects on the street side, the Walbrook office building stands tall,
distinctly individualistic, yet contextually alluding to the historical fabric
of its neighbourhood.
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The form of the building is designed to
minimize the apparent mass of the scheme when viewed from the street and to
increase the opportunity for daylight to reach the surrounding area. Its
rippled facade lends it a texture that exposes the structure – column casings
are revealed and the grid of the building is expressed externally. The blades
of the brise soleil grow in density as they rise higher, responding to the
increasing requirement for solar shading, reducing the amount of cooling
required to the office interiors. Made of a glass-fibre-reinforced polymer –
a material more commonly used in the bodywork of cars – the louvers
wrap the entire building, unifying the main volume with the receding upper
levels, so that from the street the facade appears as a continuous arc. The
facade is articulated as a series of bays, which refer to the domestic scale of
the buildings that originally stood here and have the effect of extending the
site boundary to optimize the plan area.
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The sculptural and reflective qualities
of the project continue inside, with two curved full-height atria carved out of
the deepest sections of the floor-plate, elliptical on plan, linking levels
three to nine. Each atrium contains bridges connecting through to the glazed
passenger lift lobbies. Linked by the lift lobby, the atria draw daylight deep
into the building. The social areas – including the entrance foyer and the lift
lobbies – are lined with low-ion fibre-optic glass tubing, creating a brilliant illuminated ribbed
surface that also forms part of an energy efficient lighting strategy. The
lifts are fully glazed, adding to the play of light and reflection.
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The challenge in designing any new commercial structure in the city
of London is to create a building that can both acknowledge its historical
context and stand discreetly on its own terms. The Walbrook replaces an
undistinguished group of 1950s offices within the city’s conservation area. The structural framework in steel makes a contemporary statement in an area where planning guidance
has traditionally favoured the use of stone. Added to the photovoltaic cells, renewable systems such as tri generation
and rainwater harvesting are also implemented.
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The building is rated “Excellent” under
BREEAM, the world's
foremost environmental assessment method and rating system for buildings.
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The building is FABULOUS!
ReplyDeleteIt was very considerate of the architect not to deny other of the 'bliss of sunlight'. He must be a true conservationist.
Have you noticed how 'GREEN' is nolonger an option but a requirement?
It is very much necessary to promote eco friendly buildings but before that we must study Indian Vastushastral which emphasise about the same. Our ancient scholars have already understood the importance have done lot of research.
ReplyDeletePosted by Raviraj Ahirrao on Linkedin Group: Indian Architects and Interior Designers in response to IAnD's discussion thread: If eco-friendly buildings are more actively propagated, especially in the growing annals of design consciousness globally, who would benefit the most?
It is the best source of renewable energy - power and light we could ever have and lead us to a great saving too. yes it is true that there is everything in our ancient history about this all if we look deeply. and obviously it is the moral responsibility to socity to get more & more eco-friendly models in use in our practicle life.
ReplyDeletePosted by Akshish Sheth on Linkedin Group: Indian Architects and Interior Designers in response to IAnD's discussion thread: If eco-friendly buildings are more actively propagated, especially in the growing annals of design consciousness globally, who would benefit the most?