By Marina
Correa
Photography: Nelson Kon; courtesy Studio
MK27
The two-storey Cobogo House based in Sao Paulo,
Brazil depicts a power-packed play of light and shadow; the architecture reminiscent
of veterans, Lucio Costa and Oscar Niemeyer…
A simple straight-lined structure in umber and white, the L-shaped home
bordering an inviting open expanse seems a trifle unusual in setting, at first
glance. Draw closer and it reveals a studied exercise in chiaroscuro elements,
intelligibly played out by inherent aesthetic and functional concerns.
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Starting with a volumetric geometry of white, orchestrated by hollowed-out elements carved in
concrete by Austrian-American sculptor, Erwin Hauer constituting the walls of
the topmost floor, an architectural vocabulary of light and shadow is
established. Creating a constant play of light that affects material, texture and
spatial perception, these hollowed-out elements take on different forms with
the incidence of the sun. The effect is multiplied throughout, by day with the
shifting rays of the sun and by night, with the shadows of interior and
exterior lights.
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Hauer’s white screen is an inspirational work reminiscent of Oscar
Niemeyer’s pioneering use of
reinforced concrete to produce soaring, curvaceous forms. Complementing and in continuity with this
principle, part of the ground floor is beautifully rendered with the illusion
of a wooden panel extending from the living room right into the garden. In
actuality, floor-to-ceiling
wooden mashrabiya panels, which can
be drawn completely to one side, provide a seamlessness between the indoors and
outdoors.
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The conspicuous pillars seen in the living room again remind us of
Niemeyer’s works, of mixing volumes and empty spaces to create unconventional
patterns often propped up by piloti
or stilts. The sensibility flows through to the middle
floor and creates a continuous dialogue with the architecture. The mashrabiyas
also allow natural ventilation
and eschew the need for artificial cooling.
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Interestingly,
the 1,365 sq m house gets its name Cobogo from the traditional terracotta
interwoven screen that is reminiscent of the architecture of Lucio Costa, well
remembered for reconciling traditional Brazilian forms and construction
techniques with international modernism. Otherwise minimalistic in décor,
the furniture sports clean and straight lines, and is made mostly made out of
natural materials and fabrics following a predominantly neutral colour palette. Splashes of colour are absorbed through
patterned soft furnishings, works of art and outdoorsy elements. Another
intriguing highlight is the huge Jabuticabeira tree, which bestows a naturally
artistic element to this elegantly built home.
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when i study shadows in 1st year architecture i think that was useless but when i see how the architect use elements to make shadows in design i discover that i was wrong shadows is one of very important elements which can make the interior and exterior spaces do their jobs succefully
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