By Namita Nathani
Photography: Courtesy Numen/For USe
Photography: Courtesy Numen/For USe
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Imagine
a design minimalist to the level of being absent; yet, attaining ingratiating
presence by rejecting to be ordinary. “Net Blow-up” accomplishes this,
revealing the pre-existing potential of a material through geometricism.
Net Blow-up is 1:1 scale public walk-in (or should one say, crawl in) installation that is inflated until its outer surface reaches adequate tension for stretching the nets connected on the inner side. This tightly-knit architectural balloon is designed with thorough knowledge of its architectural properties and no other additional structure is required for the construction.
Net Blow-up is 1:1 scale public walk-in (or should one say, crawl in) installation that is inflated until its outer surface reaches adequate tension for stretching the nets connected on the inner side. This tightly-knit architectural balloon is designed with thorough knowledge of its architectural properties and no other additional structure is required for the construction.
Displayed
in October 2013, near a waterfront in Yokohama, Japan with a playful exterior
façade, which becomes an example of Blobitecture during the day and as the dusk
begins the a platonian shadow is created by visitors, captured on the gigantic
spider web reflecting the inner rhythm on the outer membrane.
Designed
by Croatian-Austrian firm, Numen/For Use, a design collective working in the
fields of scenography, industrial and spatial design and conceptual art, the project
is a result of their continuous research
and experimentation on the prototype of
the interior consisting of multiple layers of flexible net affixed to the
ceiling creating catenary curves and the next set connected to the peripheral
walls, creates within hills and valleys and a sense that area one is moving on
is suspended in the air; creating a “Transparent Landscape” build within the classic inflatable
castle, which from outside looks like a captured cloud.
The
installation creates curiosity within the public inviting visitors to explore,
liberate and relax and become temporary denizens of the playful trampoline-like
pavilion, completely enveloped by the net and bubble and able to bounce and
boomerang off the ceiling, floor and walls, creating a field of activity and an
oscillation between the notions of art and life.
The
internal tension is perhaps characteristic of the field of design and constant
advancement towards the movement of unity, underpinned by conceptual
substructure or theoretical matrix; in this, the project is a revelatory
attempt that is certainly felt.
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