Hospitality Design Special
By Pari Syal
Photography: Courtesy the architect
By Pari Syal
Photography: Courtesy the architect
The newly opened
Danube City (DC) Towers, Austria’s highest building by Parisian architect
Dominique Perrault houses the Spanish hotel chain Meliá International with the
‘57 Restaurant & Lounge’ offering a breathtaking 360-degree view over
Vienna.
Launched on the
same day as the Towers, Feb.26, 2014, the new ‘Meliá Vienna’, is as striking as
the building itself. The uniquely designed 250m high skyscraper has a
spectacular glass facade and the hotel is anointed with floor-to-ceiling
windows, offering an amazing view of the Danube River and the city
skyline.
Reception with its feature element - Spiral Staircase |
Lobby Bar-Cafe-Restaurant |
Lobby wining-dining with a stunning view of the Vienna skyline |
Your very first steps
into the lobby and up the spiralling staircase take your breath away. As the arresting element of the lobby restaurant, ‘The Flow’, the imposing staircase also
serves as an entrée to the large ballroom on the first floor. The hotel boasts 1,079 sq m of flexible event space, grand
ballroom, and 8 partially
combinable conference rooms, apart from being completely equipped with signature
restaurants and state-of-the-art amenities, integrated with cutting-edge
technology.
Meliá Vienna with
its new standards of international lifestyle occupies 18 of the 58-floor DC Towers and houses
253 exquisite rooms, including 40 design suites and 200 sq m Presidential Suite
with 180-degree panoramic views. The top
two floors of the tower are occupied by the ‘57 Restaurant & Lounge’ that
offers a spectacular 360-degree view over Vienna.
The interior is
a fusion of minimalist design and monochromatic colour schemes in a purist
ambience. An intense sensory experience prevails as one experiences a play of
chiaroscuro elements throughout, prancing on a material and textural palette
that is rich, and uber chic. The quiet, subdued colour schemes, fine materials
and the visual qualities of the folded façade, which gives the tower its
distinct liquid, immaterial character, reflecting on a malleability constantly
adapting to the light, are ingeniously mirrored in the interiors.
In fact, the
physicality of the interior spaces is tangible with its exposed or rather
‘not-hidden’ structural framework. Stone and metal used in lobbies and
circulations contribute to the tower’s generous and reassuring physicality. “The
aim is to get the basic horizontality of the city and the public space to coincide
with vertical trajectories,” says the architect.
The DC Tower is also the first sustainable or ‘Green Building’ in Austria.
Nice architecture!
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