By Savitha Hira
Photography: Masao
Nishikawa; courtesy APOLLO Architects & Associates
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Ar. Satoshi
Kurosaki works on the principles of architectural duality to create yet another
inward-looking home in Tokyo that gives no inkling of what lies within...
As a cube of
exposed reinforced concrete and bronze tinted glass with strategic cut-outs
that frame two trees, the home responds to an inner courtyard juxtaposed along
its L-shaped layout and an aesthetic interior that comes alive with an enviable
art collection.
Home to an expat
couple and their young daughter, the layout features a basement and two upper
floors. Public areas are separated and get the best views by being designed on
the upper floor with private areas relegated to the more enclosed spaces. A
neutral envelope, which acts as the perfect canvas to showcase the family’s art
heirlooms...
Primary colours
of the art pieces by Mika Ninagawa add stimulation to the space, bouncing off
and coexisting with each other; complemented by diffused light from high
windows and skylights formulating fine fluctuations and comfortable natural
light seeping in via the courtyard, illuminating the basement as well. And to
complete the picture, we have the symbolic tree view that creates borrowed scenery.
But what strikes
most about this seemingly simple abode with a strong aesthetic is a physically
powerful duality that not just coexists with aplomb, but could be considered as
the design loci of the home: longitudinal openings that bring the light
streaming in infuse an aura of buoyancy against the raw appeal of the exposed
concrete envelope; concrete floors and ceiling are pitted against glass walls;
glass balustrades and fragile-looking skeletal stairs against an all-wood
enclosure; gloss-coated surfaces and chic furniture and furnishings blending in
with the gray and beige...
It all at once
brings to mind the concept of duality in architecture. Well explored by
renowned architect Mies van der Rohe and several architects after him,
this home is a discerning study in a dichotomy of design elements.
I can truly appreciate the space. Perfection. However, I don't want to live in it. Even the bookcases are empty. Living environments aren't just "spaces" to illustrate the architect's concepts and talents. I want both this kind of beauty in an atmosphere I can feel embraced by. I'm not embraced here.
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