By: Ar. Jim Olson Photography: Benjamin Benschneider, Michael Jensen; courtesy: Olson Kundig Architects
Ar. Jim Olson shares his labour of love – his personal cabin in Longbranch, Washington that has seen multiple phases of design and construction; and Jim is currently designing the next phase…
It began as a 14-foot square bunk house built in 1959 located on
Puget Sound and nestled amidst the towering fir trees of an ancient forest in Longbranch,
Washington. It has morphed through subsequent remodels - in 1981, 1997 and 2003
into a modest weekend house.
1958: Jim at age 18 during construction
Dated: 1959
Each successive addition and remodel has reused and
integrated the previous structure rather than erasing it—revealing the history
of the architecture.
Dated: 1984
Dated: 1984
Ar. Jim Olson’s reverence for nature and admiration of the site’s
beauty is expressed in the design of this project.
Ar. Jim Olson on the creative process
Dated: 1984
Intentionally subdued in colour and texture, allowing the lush natural surroundings
to take precedence, the 1,200 square feet cabin has rooms that are essentially
a set of boxes set underneath a unifying roof creating a single form that is
grounded onto the hillside and projects out over the landscape.
Dated: 2006
Dated: 2006
The living room’s large 11’ x 13’ window not only
frames the view of the adjoining meadow and Puget Sound, but also visually
blends the indoors and outdoors.
Dated: 2006
In addition to this large window, sliding doors,
strategically placed windows and a domed skylight over the bed provide constant
contact with nature.
Dated: 2006
Simple, readily available materials are used: wood
framed walls are sheathed in plywood, inside and outside; doubled pairs of
steel columns support glu-lam beams that in turn support an exposed roof
structure; and interior fir flooring that, with additional spacing, becomes
outdoor decking.
Dated: 2006
Dated: 2006
Three mature trees have been accommodated within
the design and allowed to grow through openings in the deck, one of them
exiting through an opening in the roof.
.
Jim takes care that every subsequent
alteration/addition holistically binds the architectural expression, unifying
the original thought with current requisites.
I find this far too strategic and obvious. The trees should be set free to accommodate the design; not the other way around. Observe their curves and get rid of those boxes.
What an inspiring space and beautiful sketches, to boot!
ReplyDeletePosted by Hanny Lerner on Linkedin Group: Interior Architecture + Design.
I find this far too strategic and obvious. The trees should be set free to accommodate the design; not the other way around. Observe their curves and get rid of those boxes.
ReplyDeleteMarvelous
ReplyDeletePosted by lanka tripura