By Ar. Dominique Perrault
Photography: Michael Nagl Kopie;
courtesy the architect
DC Tower & the Vienna Skyline |
Last week Ar.
Dominique Perrault inaugurated the tallest building in Austria – one, which he
has conceptualized and built. About the Tower in his own words...
When an
architect delivers a building, it is always an extremely emotional moment,
marked by the end of a long process of mediation, from absolute potentiality of
early sketches to fine tuning in situ of final details. An actor, for a time,
in the endless development of territories, the architect exits the scene. He
hands over the controls to those he has been working for. This is the moment, when
architecture transitions from the intellectual, conceptual state to the
fundamentally physical and real.
Silhouette - DC Towers |
From the start,
12 years ago, since the time WED held an international competition for the
development of the last remaining section of Donau City, the site offered incredible
potential: an open terrain, facing Imperial Vienna, embedded in the geography
of the Danube, lying on a plateau on the river’s eastern bank, like a
bridgehead to two Viennas; and this is what kindled my interest the most in
this project; to be able to breathe life into a public space on an esplanade.
We even took advantage of this commission to design a genuine entry gate to
Donau City.
Roof-top View |
The brief called
for a decidedly mixed-use program, an indispensable condition for germinating
the contemporary urban vibration we were proposing to create in and around the
towers.
The towers
function as two pieces of a gigantic monolith that seems to have split into two
unequal halves, which then open to create an arch with undulating and
shimmering façades that bring the newly created public space to life in the
void created there. Dancing on their platform, the towers are slightly oriented
toward the river to open a dialogue with the rest of the city, turning their
backs on no one, neither the historic nor the new Vienna.
View of Office Floors |
Office Floor |
Last week, the
first of the two towers is up and the result is quite amazing, thanks notably
to the invaluable collaboration of the Hoffmann-Janz architecture office. The
visual qualities of the folded façade create a new way to read the skyline of
Donau City, its undulations signalling the entry point of this new polarity.
The folds contrast with the no-nonsense rigour of the other three façades,
creating a tension that electrifies the public space at the tower’s base.
Main Lobby - DC Towers |
The façade’s
folds give the tower a liquid, immaterial character, a malleability constantly
adapting to the light, a reflection or an event. For interior spaces, with
Gaëlle Lauriot-Prévost, the associate designer, we have tried to make the
building very physical and present. The structure is not hidden, does not evade
the eye. The exposed concrete framework is touchable. Stone and metal used in
lobbies and circulations contribute to the tower’s generous and reassuring
physicality.
We have tried to
avoid a tendency in contemporary architectural production to hide the
architect’s real work, of sewing, suturing the project and contextualizing and
anchoring it in the environment. Design emerges in a later phase. Towers
floating above the ground are too severe, like architectural objects, objects
in themselves. They must land; take root in the soil of cities, in places,
where their urban substance is found. The aim is to get the basic horizontality
of the city and the public space to coincide with vertical trajectories.
Sunshades - DC Towers |
The work on the
base and foundation of the DC Tower 1 was highly stimulating. Architectural
arrangements determine the tower’s relationship to the ground. On the back
façade, the public space rises from the level of the esplanade in a series of
staggered steps to reach the ground reference plane. This structuring of
topography launches the tower and creates a spatial interface accessible to
all, making the occurrence of such a physical object both possible and
acceptable. On the other three façades, metallic umbrellas gradually rise from
the ground on the approach, softening the violence of the eruption and blending
city and movement into the tower’s future. Important work on neighbourhood
fringes remains to be done to reveal the geographic features of this urban
landscape and take better advantage of the river bank.
Access Road |
With this first
tower, the city of Vienna has demonstrated that the punctual and controlled
emergence of high-rises can participate in creating the city and produce
contemporary, economical, high-energy performance mixed-use buildings adapted
to metropolitan business requirements and lifestyles.
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