By Team IAnD
Photography: James Ewing;c ourtesy SOM
Architects
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Design for academia has
gradually notched up to focus on free thinking and expression; opening up newer
avenues in the sculpting of spaces that nurture such overall growth…
The
pedagogical model of the century-old The New School at NYC has been at the
forefront of progressive education, with design and social research driving its
approach. Consolidating its spread
across the city into a comprehensive space in New York’s historic Greenwich
Village, its new University Centre designed by Skidmore, Owings and Merrill’s
Ar. Roger Duffy that opened its doors to the spring semester in January 2014, is
an innovative design that responds to the school’s increasing demand for
state-of-the-art, interdisciplinary spaces.
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Designed to achieve LEED® Gold, the 16-storey centre provides
space for all aspects of a traditional campus, with 200,000 square feet of
academic space on the first seven floors and 150,000 square feet for a 600-bed
dormitory on the levels above.
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A central stair, intended as the principal means
of circulation through the building, is its principle design feature - a focal
point both inside and outside the building. Interactive
spaces are dispersed vertically, creating strategic adjacencies that appear as
faceted offshoots from the stairways and corridors. Faceted walls clad in glass-fiber-reinforced
concrete panels weave their way through
the facility, creating ‘sky-quads’ or free-wheeling social platforms viz.,
student lounges and resource centres
with adjacent meeting rooms, study areas, cafés, and pin up spaces for design
studios, etc.
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Interspersed along these zones are long, loft-style spaces that
house 50,000 square feet of design studios, classrooms, and computing labs;
each integrally equipped with power, data and lighting – to enable
reconfiguration and mixed use at any given time.
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Raw
finishes and an exposed mechanical system further ensure flexibility in the
academic spaces. To bring light into the 30,000-square-foot academic floor
plates, clerestory windows line both walls of the main corridor. Horizontal
windows and light shelves naturally illuminate classroom ceilings, reducing
lighting loads.
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Other
notable features include: mitigating peak elevator demand via a skip-stop
elevator system; limiting the building envelope to 35% glass, decreasing solar
gain and optimizing interior daylighting; accomplishing electricity efficiency
by freezing water during off-peak hours and allowing the ice to melt and
provide for peak hours; water treatment facilities; waterless urinals and a
green roof amongst others.
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The structure creates hives of activity that are traced along
the facade with large glass windows. This innovative interior organization is
expressed in the exterior of the building. Tightly woven, purpose-built spaces
clad in hand-finished brass shingles contrast with the open connective tissue
of the stairs and quads visible through a glazed skin. The exterior mediates
between the cast-iron facades and brownstones of the historic surroundings, creating
an immersive environment between the campus community, the local neighborhood,
and the city.
Masterpiece!
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