By Marina Correa
Photography: Courtesy la Biennale di Venezia
Absorbing Modernity 1914-2014 ©Rem Koolhaas
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We bring you a lowdown on
what you can expect during the most eagerly-awaited and global architectural event
- La Biennale di Venezia…
In its 14th
edition, the exhibition is titled ‘Fundamentals’ and will take place from 7th
June to 23rd November 2014 at
various venues across Venice. Dutch architect Rem Koolhaas who is the curator
says “Fundamentals will be a Biennale about architecture, not architects.”
Headquarters
of la Biennale di Venezia 2010 ©Giulio Squillacciotti
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The exhibition proposes to break
off all connections with contemporary architecture and instead focus on the
progression of global architecture over the past 100 years. Through this
colossal exercise, it seeks to find out how architecture finds itself in its
current situation as well as speculate on its future; emphatically moving away
from presenting objects and architects.
Stair_models at the Friedrich Mielke Institute of Scalology ©Rem Koolhaas
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In today’s
technologically-driven society, people retain less in their memories and more
on their gadgets. The Biennale seeks to address this issue by resurrecting
memories through installations that narrate a century’s history thereby
showcasing a global overview of architecture’s evolution into a single, modern
aesthetic.
Paolo Baratta -
Ar. Rem Koolhaas - Curator of the 14th International Architecture Exhibition © Giorgio Zucchiatti
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Central Pavilion_model in progress ©Rem Koolhaas
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At the same time, it seeks
to expose distinct, country-specific architectural characteristics and
typologies that continue to flourish within the larger global context even as
international exchanges between countries develop and deepen.
Various venues of the Biennale © Giorgio Zucchiatti & Giulio Squillacciotti
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Besides several architectural
workshops and seminars, co-lateral events such as film, dance, music and
theatre is set to infuse life and humour into the exhibition that will run for almost
six months.
Philip
Johnson, Ludwig Mies van der Rohe, and Phyllis Lambert in front of an image of
the model for the Seagram building, New York, 1955. Photographer unknown © United Press International. |
“Born as an ‘imitation’ of
the Art Exhibition and developed to ‘invite’ architects to bring us their
installations, this architectural exhibition has evolved into a major exhibition-research
project,” says Paolo Baratta, president, La Biennale di Venezia. It thus consciously
fosters an immersive relationship between the public and architecture.
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