By Pari Syal
Photography: Courtesy Coop Himmelb(l)au
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With its common elements:
pitch (which governs melody and harmony), rhythm (and its associated concepts
tempo, metre, and articulation), dynamics, and the sonic qualities of timbre
and texture, Sound Cloud is a symphonic embodiment of music.
It takes sensitivity to
comprehend classical notes of music; and those familiar with Estonian musician
par excellence, Avro Pärt, will agree that to dedicate a building to the maestro
is an act of deep reverence.
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The International Arvo Pärt
Centre Foundation has recently with architectural firm Coop Himmelb(l)au
accomplished a building dedicated to the musician and his repertoire. Located
in Laulasmaa, in north-western Estonia, the building called Sound Cloud is a
surreal structure constructed amidst dense pine trees, and appears like a
floating cloud.
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Referencing the building to
Avro Pärt’s music, its shape is derived from the song “Spiegel im Spiegel”,
consolidating the main sequence spectrogram of the song into the curves of a
roof. The cloud only touches the
ground where it is thickened to house the performance space, and otherwise
hovers between the trees, like the tree house of the observation platform,
suspended in the natural environment of the forest.
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From within, it forms an
introverted space, where music is played and listened to; and the level below
constitutes the work and meeting place for people interested in the legacy of
the composer.
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The complex rooms of the
program are organized in their functional groups and combined into a box
building that is placed underneath the roof. Underneath the roof and in the
centre of the overall courtyard shape, the Sound Cloud appears as a poetic
space suspended in nature, where the memory of Arvo Pärt can reside.
A simple harmonious
structure with a flourish, the structure is a thought-provoking tribute to Avro
Pärt, as if brining to life the musician’s rhythmically simple harmonies, often
single unadorned notes, or triads. It also embodies tranquillity, a peaceable
habitat much like his choral works that were frequently used as settings for
sacred texts.
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