Compiled by Pari Syal
The value assigned to, and the resultant hierarchy of, spaces derives directly from how long you stay in them. The stairs, for example, are treated as a subordinate area and are reduced to mere necessity in regard to ceiling height and floor space. By contrast, living rooms are laid out very generously, with ceiling heights up to 5.6 meters. Rounded floor plans define a counter-position to the usual rationalist architecture, generating a sense of homey security.
Photography: Courtesy the architect
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Vienna-based Ar. Alexander Diem
captures eyeballs with this absolutely impressive, extraordinary villa by the
lake in Western Austria - manifesting the theoretical underpinnings of his office.
When Ar. Alexander Diem
thinks design, he thinks culture. Turning away from absolute subjectivity, the
architect strives to identify and define common needs, themes and issues
centred around the core issue of privacy; not just acknowledging the built
environment but also engaging in a discussion with it.
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Fence, garden, wooden
facade, exterior wall, social rooms, private rooms - the farther one gets into
the villa by the lake, the more private and gentle the building
appears. Privacy is the central theme of this single-family home in
close proximity to the lake. In a time, which supposedly knows no privacy any
more, the built volume celebrates the transition from public to private
spaces.
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The value assigned to, and the resultant hierarchy of, spaces derives directly from how long you stay in them. The stairs, for example, are treated as a subordinate area and are reduced to mere necessity in regard to ceiling height and floor space. By contrast, living rooms are laid out very generously, with ceiling heights up to 5.6 meters. Rounded floor plans define a counter-position to the usual rationalist architecture, generating a sense of homey security.
Art in architecture, which has long been common practice in the public sector,
is beautifully and didactically implemented by Alexander here. A piece by artist
Nick Oberthaler is integrated in the terrace floor; and the elaborate main door
by artist Plamen Dejanoff quotes the heavy doors of historical country houses. The distinctive wooden
facade self-assuredly takes up the rustic patterns of the region.
With panels closed, the cut-out shapes, which symbolize food, harvest, and
fruit cast shadows on the inside and almost look like exotic wallpapers. The
panels are variable and may be kept open or closed as required.
The facade is not only for sun protection, but also enables controlling the degree of privacy desired. While offering possibilities for seclusion and intimacy, the house is by no means isolated from its local environs: the lakeside villa responds to its site-specific context, integrating it with the universal needs of the inhabitants.
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