By Nitika Agarwal
Photography: Courtesy Greg Shand Architects
Singapore’s first Indian
Heritage Centre echoes the vibrant, multi-layered Indian culture and appears to
be a significant symbol of modern architecture that lends precedence to its ‘context’
over a distinct language or style.
Located in a neighbourhood
named ‘Little India’ and formally introduced to the masses last month, the
centre is a platform for socio-cultural interaction within the diverse Indian population
of Singapore. The building includes two permanent galleries, a changing
exhibition space and an activity area for performances and educational exchange.
Expressing the essence of
Indian heritage by borrowing from the age-old tradition of community living
that involved existence of ‘step wells’, the architecture translates this
vocabulary in its façade by externalizing the primary circulation in form of
staircases and deriving a distinctive form that finds its way in the structure
of curtain wall glazing along with various other areas including flooring and
ceiling compositions; all planned against a mural wall that exhibits a vibrant
collection of archival images of India.
The gallery experience is also simultaneously externalized
announcing events and exhibitions to passersby adding on to the user experience
as viewer movement within the centre is richly layered from the inner galleries through
the change of levels across the façade.
Greg Shand Architects have consciously
evaded literal application of Indian architecture in spatial organization or
architecture details, as this would have possibly included only a fraction of the
country’s vast, diverse mix of culture and traditions. Instead, the design
follows a sensitive approach with application of simple, utilitarian materials with
plantation at the terrace that softens the building exterior.
The glazed facade reflects
the existing streetscape during daytime; the building however, comes alive
after dusk with the colour changing LED lights that swing to the rhythm of
Indian classical music with a backdrop of an interactive mural. The building
perceived as ‘a glowing lantern for
little India’ is one of its kind, that brings about a sense of pride and
identity to the Indian community.
The building has received
the first GOLDPlus rating for a gallery in Singapore. It incorporates highly
efficient water cooled mechanical system, LED lighting for galleries and
facades and a mechanical ventilation system at the top of ‘front circulation’
that reduces the area of air-conditioned spaces.
A solitary traditional
translation of Indian architecture appears in the building’s entrance that was
handcrafted in South India from three blocks of granite along with an
intricately etched door panel in wood. The entrance, evidently visible at
street level draws interest while establishing a sharp contrast with the clean,
contemporary exterior of the gallery.
Beautiful design.
ReplyDeletebeautiful at night but not sure about the day
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