Compiled
by Team IAnD
Photography:
Courtesy of Galerie Patricia Dorfmann - Paris
Baptiste
Debombourg’s large aerial sculpture - public art statement in Nantes, France,
is yet another instance of unorthodox musings, such as placing work in
unexpected contexts or using destructive techniques...
French
contemporary artist, Baptiste Debombourg’s work takes the real world and morphs
it into something new. He reacts to specific contexts and transmutes different
substances like an alchemist: Styrofoam packing materials are transformed into
neo-Gothic altars… unusual materials such as cigarette butts are combined with
staples with a sense of absurdity and forthright opinions… his extraordinary
output repeatedly illustrating his attraction to creating work in unorthodox
ways, where the more something is forbidden the more he feels drawn to doing it
by taking risks. However the notion of “beauty” in the nonsensical is very
important in Baptiste’s work, where we tend to find beauty in the least likely
places.
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As
part of the cultural promotion of Nantes - an event organised every summer, the
installation ‘Le Voyage à Nantes’ is inspired from an artwork that Robert
Delaunay made for the “Palais de l’Air” during the Paris World’s Fair in 1937.
In it, the artist put man back in his place as an integral part of his
environment, subjected to its laws. Here too, Baptiste observes and
incorporates the essence of the Place du Bouffay and the great presence of outdoor
cafés and restaurants in the installation.
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As
the outdoor patio is synonymous with socializing, the chair composing it can be
seen as representative of a person. The artist plays with this presence by
creating a large aerial sculpture that contradicts the gravity of everyone
anchored to the ground. In a dialogue with the volume of the public square and
the height of the buildings, two ellipses of chairs rise up into the air, meet,
and then separate.
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The
installation uses 1200 chairs in 6 colours and measures 25 x 15 x 11 m. It has
been realized with the support of Atlantic beverages partner services and will
be on till Aug.30, 2015. Onlookers are strictly advised NOT to climb on the
sculpture.
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Finding
inspiration from everyday life, Baptiste’s work is characteristic of objects
and materials that are ubiquitous and familiar but that are transformed in a
new way. Aside from the physical
properties of materials, he tends to be interested in items and materials that
provoke in some way. The process of destruction is a recurring theme in
Baptiste’s work.
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