By
Pari Syal
Photography:
Cornbread Works; courtesy
Zecc Architecten BV
A renewed respect for old structures without
contemporary compromises seems the new age mantra
of the architects and clients alike.
Picture this: an old railway cottage in the thick of a
small town in North Holland, right next to the Santpoort-Noord railway station.
It is bordered on one side by the railway line between Amsterdam and IJmuiden
and on the other, by the National Park South Kennemerland – a dreamy locale in
the lap of nature.
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Now for the dreamy ambience to get contemporary and
upbeat – the brief presented to Zecc Architects involved the transformation and
expansion of the cottage taking a cue from the contrast between the straight
metal rails and the softness of the dunes, evolving into the hardness of steel,
concrete and glass across waving grass, shells and wood.
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The picturesque railway house with its large weathering
steel volume almost brutally shoots through its ancient walls outside and
provides new insight into the landscape with an almost unchanged inside. On two
sides an extension is achieved with hard lines and large glass surfaces, which
focus on the surrounding greenery.
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On the east side, a volume is added to the entrance
and living room. In the basement, is the sleeping area with attached bath. An elongated
intimate patio flanks the south side, covered with shells.
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On the west side, the expansion is oriented in the
width with the dining room linked to the kitchen.
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With the remains of numerous alterations removed, a pure and characteristic exposed
brick structure set off with white surfaces and wooden ceiling rafters opens up
the home, with meandering spaces, some linear, others adjacent. From the middle
of the house, one experiences long sightlines and a waterfall staircase connecting
the various floors.
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With exciting reversals between inside and outside, the
outside of the home, as it was, is the interior of the now dining room and the
patio looks more like an interior space. Old elements and new additions
alternate with each other, lending an element of surprise and intrigue. Hard
materials meet the gentle atmosphere of the old house.
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This vocabulary continues in the interiors: design
classics combined with found objects, a Persian carpet on the hard untreated
concrete, a surfboard next to the dining table and a series of remarkable
plants throughout among other little details…
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Perfect decision! Finissimo!
ReplyDeleteadmire the concept of marrying old and new environment -respect to the architect
ReplyDeleteOur core business - (The designand creation of Art and Architectural elements) is most effective when owners and operators of properties in the market allow us to maximise the impact of our Art by maximising the "charactor" of the property in the art that we create.
ReplyDeleteThere are a number od Architects, Consultants and Designers who will attempt to deliver "Impact" by contrasting with the grandure of (effectively) appealing existing architecture and design.However, our feeling and experience is that the impact and effectiveness ov the visual presentation is actually increased when the "New" art / Architectural elements RE emphasis thte existing "Feel".
It is this approach that drives us with our "AIM" - to be:-
A spirational
I nspirational
M otivational
It seems that the project that highlighted here does not take advantage of the history in which it is placed and grounded and hence, for me it just doesnt work.
This is "Less is More" philosophy of architecture of the Bahause style; it possiblIy is not "more" when the new "modern" style is mixed with it. The old style house design could of been respected with some simple elements of the old style added to the new. .
ReplyDelete