By
Anurag Pandey
Photography: Luuk Kramer;
courtesy the architect
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Just like “Rome was not built in a day,” it took two long years for Hans Van Heeswijk Architects to renovate, expand and chisel one of the most beautiful art museums of Europe known as ‘Mauritshuis’ at The Hague...
The Royal Picture Gallery, Mauritshuis, which has an assemblage of the world-famous collection of 17th-century Dutch and Flemish paintings, is among the most remarkable surviving examples of 17th-century architecture in the Netherlands.
The Royal Picture Gallery, Mauritshuis, which has an assemblage of the world-famous collection of 17th-century Dutch and Flemish paintings, is among the most remarkable surviving examples of 17th-century architecture in the Netherlands.
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The new design inspired from the likes
of I.M. Pei’s famous renovation of the Louvre in Paris, and Apple’s New
York flagship store, is the perfect spatial solution to the logistical problems
of the museum’s existing footprint as the design carves out underground space
for new
entrance, museum shop, restaurant and cloakroom.
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The new museum is a consolidation of two buildings, which
connects the 17th-century building with its new wing through an underground entrance foyer measuring 15m by 50m and further extends in a former clubhouse
building across the street. Prior to this, the surface area of the museum was approx.
3,500 sq. m., whereas the new design has almost doubled the surface area
bringing it close to 6,800 sq. m. surprisingly without
any indication of this fact above ground. The two historic buildings are
completely different in age, structure and prestige but smart creation of
similarities in finish and detailing present them holistically.
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The daylight flooding the square is the central theme of the interiors, which are
designed by Stephanie Gieles. The biggest surprise is the generous amount of
natural light penetrating the underground space from all sides. To achieve
maximum transparency, Hans van Heeswijk devised a lift that, uniquely, is
entirely made of structural glass, both shaft and cabin, without the support of
a steel structure. Interestingly, apart from the period art, this superlative
piece of design is arresting as a highlight of the new spatial configuration of
the museum.
There should be a place like this for artist all over the world who won a major showing in their communities, at lease a large area for up coming painters and sculptures that are here now. This gallery is perfect for that, to win top showing and be seen next to the masters would be the best thing that could happen to an artist and definitely to me. David aka penticular@wordpress.com
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